In this episode, architect and artist Olalekan Jeyifous talks about using design as a tool for imagination rather than problem-solving. Drawing from his own imagination, memories, and critiques of the ...

The Photoplay collection came in in the 1960s, but the Dell collection came in more recently. I was working at MoMA as an assistant to Mary Corliss when we sorted the Dell collection. We went to a ...

June 18, 1920 Fumaria officinalis (Common Fumitory) The Fumaria has a sensitive nature spirit, it tries to incorporate both ascending and descending energies. Its flower is wispy, seemingly without ...

Lola and Aldo were founding members of Art+Positive—alongside several other NYC-based artists, including Hunter, Ray, and David Wojnarowicz. This ACT UP affinity group emerged in response to rampant ...

AH: And it wasn’t just the Rio Olympics that found it useful. EH: NASA has a data visualization team, and they’ve created their own version in the same format, which has also been very popular and ...

“It’s like a fellow I once knew in El Paso. One day, he just took all his clothes off and jumped in a mess of cactus. I asked him that same question, ‘Why?’ He said, ‘It seemed to be a good idea at ...

Elena Subach is a visual artist and photographer based in Lviv, Ukraine. She is currently researching the legacy of the photographer and filmmaker Yulian Dorosh and Lviv photography from the first ...

You raise such a crucial aspect of her adventure, especially in this moment when the self—the self as brand, the artist as lifestyle influencer—reigns supreme. By doing the work of others, Sturtevant ...

This design became a norm for museum collections. The Musée du Louvre, born in 1793 out of the French Revolution, adopted this installation strategy from the beginning. Practically, it allowed ...

The artist talks about Claude Monet, the muscle memory of painting, and why he’s packing a tube of orange paint for his summer in Maine.

On the occasion of MoMA’s recent acquisition of more than 200 works by Ken Jacobs, and the presentation of three of his films in Gallery 411: Ken Jacobs: Deep Cuts, we sat down with one of cinema’s ...

“Everything we see hides another thing, we always want to see what is hidden by what we see. There is an interest in that which is hidden and which the visible does not show us. This interest can take ...