Steven Soderbergh's Presence sets Chloe up as the hero of the story, only to rob her of her agency and give it to her brother, Tyler.
Steven Soderbergh tries to add nuance to the ghost sub-horror genre in Presence, but the film has two major plot holes that ...
Koepp's writing is thorny and cuts deceptively deep, like a scrape that looks like a surface wound until it won’t stop ...
"I always operate the camera, but this was next level," the director says. "I’m really in there with the actors." ...
Steven Soderbergh often applies his brainy, process-based approach to new genres; with Presence, he tries his hand at ...
The actor admits that Soderbergh's unusual way of capturing the film — told from a ghost's point of view — was a challenge to ...
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The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into ...
The filmmaker turns a supernatural thriller into a first-person storytelling experiment and a family drama that'd make Eugene ...
“Presence” is a beautifully executed vision of a rather mediocre script. What makes it interesting is the POV “gimmick,” ...
“We’re here because I love this place,” says Steven Soderbergh ... The intensity and creepiness of Presence’s drifting first-person viewpoint is Soderbergh’s own handiwork.
The film stars Lucy Liu, Chris Sullivan, Eddy Maday, and Callina Liang, and explores themes of trauma, family dynamics, and ...