In 1918, Virginia Woolf saw something special in Cézanne’s “Still Life with Apples” (1877-1878). Despite its small scale and muted hues, the modest canvas unlocked something in Woolf, who responded ...
Woolf was acutely self-conscious and disliked sitting for pictures never mind 'seeing herself'. But a few rare portraits, often by her family or friends, capture her inner spirit Every day, hundreds ...
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